A modest proposal for a better way to brand theatre (commissioned by SpiderWebShow)

(The following is an article commissioned by the Praxis Theatre & National Arts Centre joint venture SpiderWebShow.)

 

I’m a bad interview; I’ve learnt this now, from sad experience, a frosty November morning spent at Theatre Ontario’s offices at 401 Richmond, where I’d attempted with varied degrees of success to affect the folksy, unbuttoned erudition of what we might imagine characters in a Sorkin screenplay to sound like, my feigned patois unraveling after only three questions, flop sweat beading on brow and philtrum.  I was interviewing for a seat on TO’s Youth Advisory Committee, and after yammering at some length on a possible program to get young people to go to the theatre, I was asked, point-blank:

“How would you assess the demand for such a program?”

…Whereupon, having no lucid answer, I devolved into inarticulate grunts and rudimentary hand gestures. Later, slogging my way up Spadina, the question’s brisance having wiped the sun from morning’s glory, I began to wonder why, exactly, didn’t I have an answer prepared?  The question, you’ll agree, is not thoroughly difficult.

Except, actually, when I parse it out, the thing just seems more and more removed and weird and unanswerable. Why need we assess the demand at all, necessarily? Isn’t our job (at least in part) as artists, theatre producers, whatever, to create demand for our work, not just to react to it?

Continue reading

Most revolting ad ever, maybe?

As if the rancid breath of consumer capitalism hadn’t done enough to debase & degrade the integerity of modern childhood, the chthonic footsoldiers of Toys ‘R Us have turned their gaze to the last bastion of reasonably authentic outdoor/environmental education – the school field trip – by directly pitting the natural world (i.e., boring) against the plastic (fun!). It’s enough to make you lose your appetite:

 

The time has come, my little friends…

“The time has come, my little friends, to talk of many things – of shoes and ships and sealing wax, of cabbages and kings; of whether the sea is boiling hot and whether pigs have wings…”

So as it turns out, a daily news post was a tad ambitious. Not to say that nobody read it (but then, what do I know about who reads this thing of mine), but to say that I have to eat and live and sometimes sleep, and working a full-time job whilst doing theatre stuff on my off hours has had a deleterious effect on my ability to regurgitate news media, I’m sorry to say, I know you miss it (no I don’t). I’m going to try to do my best to post a weekly round-up every Saturday or Sunday, which’ll sort of curate the week’s bizness into digestible chunks, for your reading displeasure.

Continue reading

Hiatus

No news today or tomorrow, unfortunately, friends. I’ve just spent 4 1/2 hours on the VIA cattle-car to Montreal where I intend to spend my days getting sloshed on Crescent St., spending money I don’t have at Simon’s, & feeling super guilty over eating smoked meat.

This means, however, that the daily news round-up will be put on hiatus until Wednesday. In the meantime, I would suggest checking out Glenn Greenwald’s blog at The Guardian for updates on the state of surveillance/survellance state, and rabble.ca for Canadian news.

Bon matin.

What “Star Trek Into Darkness” can teach us about US foreign policy (spoilers within)

J.J. Abrams’ Star Trek Into Darkness is not a great film, but it’s a phenomenally fun one & worth the price of admission, easily. It’s scope is not quite as broad as 2009’s Star Trek, & since it’s the sophomore film in what is likely going to be at least a trilogy if not saga of pretty serious sci-fi action films, a lot of fanboys’ expectations are likely not going to be met; but if you, like me, saw it on a particularly cold & miserable & rainy weekday evening in a sparsely attended cinema, & if you approach the film with kind of open heart we should reserve for movies that just ain’t art, you’re going to have a good time. I mean, if you sat through the execrable Inglorious Basterds & liked it, there should be no excuse in this respect.

Star Trek Into Darkness takes place in an alternate universe that may or may not have been created by Nero, the Romulan miner & the previous movie’s central bad guy, when he went back in time through a wormhole & destroyed planet Vulcan. One of the major problems I had with the first Star Trek – fun though it was – was that I found the story overly complicated & full of all kinds of nifty albeit confusing sci-fi time-travel paradoxes that never got properly addressed. Thus, I’m not really going to try & précis the original movie; just trust me when I say that the events of Star Trek Into Darkness (STID) take place in a very different reality than any of the actual series & older films.

The plot of STID is one of the least interesting things about it, so I won’t dwell on storyline – basically, when stripped of a lot of peripheral action the essential plot involves a terrorist attack on one of Starfleet’s archive buildings, which subsequently gives the same terrorist (whom we’re told early on is some sort of spy named John Harrison) an opportunity to wipe out a bunch of Starfleet brass with a futuristic helicopter. Thereafter, Cpt. James T. Kirk, First Officer Spock (which is what, his last name? first name?), et. al.  are sent on what is described as a “manhunt” deep in enemy territory, the Klingon homeworld of Kronos.

One of the things that makes the original Star TrekStar Trek TNG, & to a lesser extent Star Trek: Voyager so compulsively watchable – & what tends to differentiate them from the often inferior movie spin-offs – is that they were in reality never about the fi-ness of sci-fi, never about fancy F/X or long, protracted martial arts scenes on the hulls of weird floating hover ships.  Star Trek has always been a show about ideas, about taking ordinary characters & placing them in situations in which they have to reconcile their preconceived earthling ethics with alien races whose ethical paradigms are shifted some degrees left or right. One of my favourites of these was a TNG episode in which the Klingon Worf, played by the indomitable Michael Dorn, suffers a back injury from a falling piece of equipment & is rendered paraplegic. The Klingon sensibility being entirely governed by an almost samurai sense of honour,  Worf demands that he be allowed to commit some kind of Klingon seppuku, & asks his superiors to help him to do this – except that Worf has a twelve year-old son, Alexander, whom he’s raising on his own. Do Worf’s obligations as a father take precedent over his sense of honour? & what if “honour” in this sense is really just a short hand for “religion,” which is what the episode clearly implies? You can see how this stuff can get interesting.

In STID, the ethical dilemmas take a place somewhere in the background among the F/X wizardry, but they’re interesting to touch on. Kirk’s told essentially to take an arsenal of fancy torpedoes, find John Harrison (whom I might as well tell you right now is actually Khan, of The Wrath of Khan – & if you’re taking issue with Benedict Cumberbatch playing an Indian, you have to admit that he’s at least as Indian as Ricardo Montalbán) & basically vaporize him. Spock, ever the voice of reason, takes issue with this, reminding Kirk that “There is no Starfleet regulation that condemns a man to die without a trial.” (N.B.: Since the shooting script for STID isn’t yet available online, I’m working from memory here, so the quotation may not be exact; I have, however, had it corroborated from other sources, & it’s pretty damn close.)

(A quick digression: this begs some question over what, exactly is Starfleet & its mandate? In STID, there seems to be some tension between  Starfleet qua explorers versus military; while the original series have always taken place during exploratory missions, Starfleet’s also always been the go-to organization for intergalactic warfare, & at the very least seems to be the only game in town w/r/t advanced weaponry. Maybe a good analogy might be – if the Federation is like the UN, Starfleet would be only one division among many thereof, comprised of multiple planets rather & not the geocentric organization it sometimes appears to be. I guess its purview would therefore be space as a whole – i.e., exploration, diplomacy, trade, peacekeeping, defence, &c.)

If you, like me, are a compulsive consumer of news media, some pretty obvious parallels can be drawn between the abovementioned ethical dilemma & a few of the more seedy operations US foreign policy has inflicted on the world lately. In particular I can think of two, which screenwriter Robert Orci has sort of ham-fistedly combined to create a kind of Ur-allegory, a political universal derived from two particulars.

The first obvious one is the targeted assassination of Anwar al-Awlaki in Yemen in 2011, which the Obama administration only formally copped to a couple days ago. al-Awlaki was an American citizen, born in New Mexico, educated in the United States, who later became a radical propagandist for al-Qaeda & subsequently accused by US officials of being in some way operationally connected to terrorist activities. No evidence was ever adduced to support these claims, but this hasn’t stopped President Obama (who has made targeted assassination with drone strikes a centerpiece of his counter-terrorism strategy & personally signs off on every hit) from openly gloating about it on television. (According to a letter to Congress written by Attorney General Eric Holder, al-Awlaki was only one of four American citizens executed without trial or due process by drone strikes personally ordered by Obama; another was al-Awlaki’s sixteen year-old son, Abdulrahman al-Awlaki).

In STID, Khan is obviously meant to be an ersatz al-Awlaki, whose destruction, while not ordered to be carried out by drones, is nonetheless to be done at long-distance through remote photon torpedoes.  But while Khan is at least nominally a citizen of the Federation, the analogy with al-Awlaki ends there. Khan, we are led to believe, actually did commit major atrocities, which it’s not clear al-Awlaki ever did (it is not a crime in the United States, no matter what the media tell you, to say things). This makes Khan an almost Osama bin Laden figure, & indeed, the plan-of-action w/r/t his killing bears a great deal of similarity to the execution of bin Laden.

Consider, for example, the shameless breach of sovereignty represented by both governments – in real life, the invasion of Pakistani soil by American troops (to say nothing of the CIA’s fake vaccination program during the weeks before, which have since proved hugely damaging to the international vaccination movement) without permission, thereupon engaging in a firefight & killing unarmed suspects without so much as notifying the Pakistani government. In STID, Pakistan is Klingon space & Abbottabad is Kronos; & while bin Laden, like Khan, was overwhelmingly believed to be the perpetrator of atrocities, there was no actual hard evidence provided of this. Or if there were, why not capture bin Laden (or Khan, as Spock demands) & have him tried at the ICC (oh, wait…the Americans can’t do that because they don’t recognize the ICC…)? Hell, trying bin Laden anywhere would have been less damaging to American credibility than his summary execution.

What’s interesting about the way STID presents the case for Khan’s arrest & trial versus Starfleet Admiral Marcus’s gonzo assassination plan is how obvious the moral choice seems to be. Of course Khan should have a trial – there isn’t even an attempt at presenting the other side of the argument in this film (uncharacteristic for a real Star Trek conundrum, but let’s take what we can get). Spock knows it intuitively; so do Uhura & McCoy. Kirk’s storyline for much of the movie involves him in overcoming an intuitive, emotional desire for revenge in order to achieve a more rational & civilized & also deeper & more meaningful justice.

It seems unlikely that any movie-going audience member in America could possibly side with Marcus, but oddly the polling data shows that 75% of Americans approve of targeted assassination, & 24% even approve of assassinating American citizens. Its puzzling that moral truths clearly rendered in fiction don’t find immanentization in real life. What, exactly, is the blindness, & where does it come from?

One possible explanation is that it comes from Barack Obama himself. The erstwhile harbinger of “hope” & “change” has become arguably one of the most destructive & ruthless presidents in American history, from his almost erotic support for killing innocents with drones to the fact that he has prosecuted more journalists & leakers under the 1917 Espionage Act than all other American presidents combined, to his signing of the Monsanto Protection Act & thus entrenching corporate control over what we eat & how our food is produced (an aside: Monsanto also manufactured Agent Orange during the Vietnam war; this should tell you something), Obama has consistently demonstrated that he hates democracy & freedom & has little or no interest in even basic standards of justice & rationality. Yet even today his supporters in the mainstream media bleat their insipid hero-worship, immune to the forces of fact & argumentation. They use the sideshow bizarreness of Fox News & the risibility of the GOP as a distraction, the better to wrap themselves in feel-goodness about dear Barack.

In the Star Trek universe, the cult of personality (except, perhaps, as it applies to Kirk himself) seems to have gone the way of currency, poverty & disease (although this does raise certain questions w/r/t the governance structure of the Federation). Admiral Marcus, although clearly a colossal asshole, is nonetheless one guy with one guy’s opinion, & there is no PR machine backing him up – only an arsenal of photon torpedoes, & those, believe me, are far less dangerous.

As the ending of STID gropes for political relevance with a speech bearing all the finesse of a PSA, we are reminded by Cpt. Kirk that “There will always be those who mean to do us harm. To stop them, we risk awakening the same evil within ourselves.” What this means is that the characters in Star Trek have done nothing more nor less than embraced the most elemental of ethical precepts – that we apply to ourselves far more rigid moral standards than we apply to others, that we take responsibility for what we – & those we elect, & for us in Canada, whom our governments openly support – do.

It might also be to ask the question, racing straight past the verily fair-haired All-Americanism of Kirk himself to the inscrutable foreigner: what would Mr. Spock do?

Wolf Lake

Have you seen this? Wolf Lake is located about 50km northeast of Sudbury, home to one of Ontario’s (& the world’s) last remaining contiguous red pine forests. It’s absolutely gorgeous, thousands of years old, & almost completely canvassed with mining leases that were just renewed last year, & will likely destroy the whole damn thing. Check out this time-elapse video:

& here’s Jane Goodall:

 

 

Hey Folks…

It’s 9:12PM on Mother’s Day, 2013. I’m convalescent, a half-bottle of cheap bubbly making plaintive grunts from my gut, where it’s intermingling with the avocado, toast, & Advil extra strength. Life under these conditions isn’t all bad. At least I’m no longer contending with the rhinovirus that’s been playing Hungry Hungry Hippos with my sinuses for the past few days.

Beyond the gates of solipsism & unseasonal colds, the world turns. Marie Myung Ok-Lee, writing on Slate.com, has a special report on the noble origins of Mother’s Day, & it’s sad decline:

…what do I want for Mothers Day? How about if all people who were birthed of a mother take just sixty seconds to think about how we live now, and what would be a better, life-giving way to live tomorrow. In the midst of obligatory, individual celebrations, why not to take the time to speak with others, or at least in spirit, join in with [Mother’s Day founder Julia] Ward Howe’s ambitious vision.

Happy Mother’s Day, everyone.